Showing posts with label Laura Hermanson. Show all posts
Showing posts with label Laura Hermanson. Show all posts

Saturday, January 2, 2016

Welcome, 2016!

Happy New Year everyone!  I hope you all had a fabulous holiday season; I had a great one and spent a lot of time playing board games with my brothers.  Now that the holidays are over and a new year has begun,  my brief hiatus from riding and blogging should be over, so I can start getting back on track.  Last year brought so many changes and new experiences, and I hope 2016 does as well!

In January of 2015,  I was offered a working student position Laura Hermanson, a professional dressage rider who specializes in riding and training mules.  She is the first person to ever ride a mule in the US Dressage Finals, which she did in 2014.  Before riding with her, I didn't know much about mules at all.
Myself and one of Laura's mules, Moxie.


I also didn't know much about riding and training.  At the beginning of last year, I was still very much a beginner.  I was still piecing together the most basic elements of riding, and my riding and handling style were uncoordinated.  I'm still not completely fluid in my aids, but training with Laura has opened a completely new dimension to riding: communication and training.  With her,  I learned how to better communicate and build a relationship with a horse, and how to better understand the nuances of a horse's behavior.  I learned that horses are aware of the subtle, almost imperceptible changes in our bodies and energy,  and was taught how to channel that energy and how to move my body in ways that influence the horses.  Furthermore, I learned how to teach and train a horse.  Before this year,  I was a rider who would simply hop on and go.  This year, I learned how to work with a horse on the ground to teach them and to set them up for success under saddle.  By lungeing a horse before riding, one can watch how the horse moves and ask them to become round.  Then, when I finally mounted, the horse would already be warmed up and would have already stretched and become round.

May 2015–I'll get another to compare later on!

In addition to learning so much, I have also experienced many new things.  In March, I rode a donkey named Buddy, which was an interesting experience.  Donkeys are kind, gentle creatures,  but they also do not like to work harder than necessary, so many do not go faster than a jog.


In April, I rode a mule in a western trail clinic(part 2).  Before then, I had only ridden western a handful of times, and riding a mule was a completely new experience.  I learned so much in that clinic.   I continued riding western over the summer.




Finally, in October I rode a mule named Ruby in western pleasure and trail at my first show.  By then, my aids were a bit more refined, and I had learned to move a horse more with my legs and less with my hands.  The show was an extraordinary experience.

This year, I hope to continue refining and honing my skills.  In the spring, I want to ride in a few hunter classes at another mule show, so I'll be working on no-stirrup work to gain a more solid position.  I hope this new year brings many more experiences and successes for myself and all my readers!

Wednesday, October 7, 2015

Interview: Sarah Crowe, Creator of Dyna Does Dressage Documentary

 Sarah Crowe and Amy Enser have been working on the project "Dyna Does Dressage," a documentary about Laura Hermanson and her mule Dyna, the first mule to ever compete in the U.S. Dressage Finals, which is an incredible feat.  Together, Laura and Dyna have defied the odds and realized their seemingly impossible dream.  Sarah and Amy were there to document it, and have since worked with Laura to record Laura and Dyna's backstory as well.  I had the opportunity to discuss the documentary with Sarah Crowe.

The Aspiring Equestrian: How did you get started filmmaking? What made you become interested in filmmaking?  

Sarah Crowe: I had a friend who went to film school and I helped out on all of the student projects. I fell in love with the process and from that friend’s networks started working and volunteering on film sets. Eight years later I am a professional producer and I direct and produce documentaries for the love of it. 

A poster by Isaac Novak.
TAE: When and where did you first meet Laura Hermanson?  

SC: I met Laura in Yosemite National Park.  We worked together in the back country. She was a packer that brought all of our supplies to the High Sierra Camps where I managed a back country retreat. We became fast friends and have supported each other in our careers and personal endeavors. Even after we both left Yosemite we stayed friends.



TAE: How did you become interested in filming the documentary Dyna Does Dressage about Laura and her mule, Dyna? 

SC: I have always known that Laura had a unique and interesting story. When she told me that she and Dyna were invited to the Finals, I helped her with some fundraising ideas and got her going with the GoFundMe page. In only 2 weeks she raised $11,000 and was flooded with an outpouring of support. When she called to say thank you, I knew that the timing was finally right and I asked her if I could join in Kentucky to document the adventure. She said, "Yes!" and has graciously allowed me to follow her around all over this year and is supporting me in telling her story in a full on documentary film.

TAE: What is your main purpose in filming it?  

SC: Laura’s story is the ultimate underdog story. Laura and Dyna’s journey have inspired so many people already. I want to share it with the world. 

TAE: Could you write a brief summary of the documentary? 

“Dyna Does Dressage” is a documentary about the first mule ever to compete at the national level in the competitive equestrian sport of Dressage. Defined by the International Equestrian Federation as “the highest expression of horse training,” the idea of mules competing at this level has never been considered.  This underdog story follows Dyna and her owner/rider, Laura, as they defy the odds to find their place among this elite world of horse riding.

A behind the scenes shot of Sarah Crowe(front right) filming Laura(at the left in the stall), her friend Casie(middle), her trainer Renee Johnson(right), and Dyna at the U.S. Dressage Finals. 
TAE: Could you tell me a little bit about what has gone into making the documentary? 

SC: I invested $8,000 of my own money, and flew to Kentucky in November 2014 to film Laura and Dyna competing at the U.S. Dressage Finals in order to film the origins of this story. My filmmaking partner Amy Enser has traveled with me to almost all of the locations and worked with me to capture the footage. She will also be editing the movie. We needed to raise an additional $15,000 to really make this happen. With a successful GoFundMe fundraiser of my own, together as a team we were able to travel to California and visit Laura where she lives and trains at the Oak Star Ranch with Dyna and her other mules. We went to Mule Days, which is one of the largest mule competitions in the world. In August we filmed in Yosemite National Park with Laura, to learn about the traditional roles of mules and see the place where she discovered and fell in love with them and then our last location was the USDF CA area 7 regional finals in CA, where we saw Laura competing at a proper horse show.

TAE: What has been the most exciting part about filming the “Dyna Does Dressage?”  

SC: The most exciting part of filming "Dyna Does Dressage" is being able to spend so much time with Laura this year. She trusted me through this whole process but over the course of these last 10 months she has opened up and truly forgotten that the camera was even there sometimes. She believes in me and is so supportive of this whole process, and so open to allowing me in her world with cameras. 
Laura Hermanson and BB at the Region 7 Dressage Championships

TAE: What has been the most difficult part?  

SC: The most difficult part of the process has been the challenge of recreating a story and showing the path of Laura after it had already happened. Traveling to so many places was necessary to tell the story. 

TAE: What is one thing you want people to know about the documentary before it is released? 

SC: I am so thankful for the support that both Laura and I have received on this journey of filmmaking and Laura’s work with the mules in Dressage and beyond. I appreciate everyone that is believing in us and supporting us. I can’t wait to share the finished product. 

TAE: Is there anything you would like to say about the documentary that I have not asked about?

SC: I  really hope that people enjoy the story and are inspired to take on their own dreams and adventures. 

Support "Dyna Does Dressage" by liking their Facebook page  You can watch the trailer here.  Photos are courtesy of Sarah Crowe, Amy Enser, and "Dyna Does Dressage."  The documentary  will be released in 2016. 

Tuesday, September 29, 2015

Ruby Lesson + Laura at Championships

 I have some exciting news--Laura and BB place 4th and 3rd in Regional and State Championships, respectively, putting them first on the long list for the U.S. Dressage Finals.

 In other news, I'm going to be riding a mule named Ruby in the show next month instead if Moxie.  I've just been having too much difficulty slowing his jog, and he has had difficulty as well because he has been trained to take large strides for dressage.  Ruby is a nice, little, all-around mule who has been ridden by her owner in pole bending(and other classes).  Even her owner's young son has had success on Ruby in kid classes.

 Ruby is very maneuverable and sensitive.  I rode her in a western saddle and bridle, kept a very light contact on her most of the time, and used only one hand on the reins.  It was much easier to slow her jog and walk than it was to slow Moxie's, but she still got fast quit a few times, which was entirely my fault--I became tight and leaned forward several times.  I also had trouble getting her to love.  I often become floppy in my upper body when I ask for canter, becoming very disorganized.  Ruby is very sensitive and usual responds to a kissing sound; it was only my fault.  However, Laura handed me a whip.  I didn't use it but once I was holding it, Ruby looked off right when I asked.

I also tried a few trail obstacles: the serpentine cones and the box.  As I mentioned earlier, Ruby's owner had done pole bending on her at a gallop, so Ruby is pretty easy to steer.  I only needed to use leg.  The first time however, I oversteered by using the reins, making a large circle to turn around and missing the last come on the way back.  I tried it a few more times with much more success.  I started turning her with my legs as soon as her front end passed each cone, just barely going to the side of the cone.  At the end, I managed to make a tighter turn to head back through the cone serpentine.
Ruby and I in the box.

 Next, I had to jog around the arena, turning into the box and halting.  At first, I turned too soon and halted in the side of the box rather than the center.  I also asked Ruby to stop too early, and she walked over the pole instead.  I should have asked for the halt just a tad later, as she was over the pole. I continued with varying degrees of success, but finally managed to halt near the middle.

Next, I tried the exercise again, this time turning left after exiting the box(I had jogged to the right around the arena before).  My reins were also more slack, with the slightest amount of contact.  Like before, I cut in too early, so I wasn't heading toward the box head on.  I found myself in at the edge of the box instead. Again, I often asked for the halt a bit early, so Ruby walked over the pole rather than jogging over it.  At one point, I jogged over the pole and asked her to halt with my seat.  However, I didn't back it up with my hand when she didn't respond.  She went over the first pole, and out the other side.  Laura told me that it would be better to lose points on a trail course for using my hands than it is to have no points on the obstacle because I hadn't stopped in the box.

 Finally, though, I really set Ruby up well for the halt by keeping my inside leg on to prevent her from cutting in.  I headed straight toward the box, breathing out and blocking my seat to ask Ruby to halt.  She halted just in the center of the box.

I enjoyed riding Ruby and can't wait to ride her again.


Wednesday, September 16, 2015

BB Magee and Laura off to the Championships!

It has been an excellent summer for Laura and her palomino mule, BB, who are off to the CDS State Championships/USDF Regional Championships(held at the same place/time) in Rancho Murrietta, California.  Last year, she came with her beloved Dyna, who as you may know qualified for the Championships and later the US Dressage Finals at Training Level.  This week, Laura and BB will compete at First Level in both the Freestyle and First Level Test 3 events, riding the former at both State and Regional level.  Getting there for the second year running(might even be more than that) is an extraordinary feat.

 Being in California means that she will compete not only against some of the best riders in the state/region, but also some of the best riders in the nation and the world.  Hilda Gurney, Steffen Peters, and Jan Ebeling, to name a riders who train in California, will be there.  Some of their horses will be competing against Laura.  It was amazing to look at the entry list with Laura and to see her and BB's names next to those of Olympians and fancy warmblood.  Imagine that: a mule I have handled and ridden, ridden by someone I know, competing against warmbloods ridden by Olympians.  It's amazing!  For those who think mules can only be pack animals that have no place in dressage,  BB is living proof otherwise.
Here is BB and I when she has her golden spring/summer coat.  She is more of a light brownish in the fall with roan hairs.

  Her Freestyle is an upbeat, Italian/South American sounding music(one part is called "Mambo Italiano) and was designed by Karen Robinson, who has designed numerous Grand Prix, Olympic, and Pan American Games freestyle.  It's a great freestyle.

 It will be an exciting weekend for Laura.  Unfortunately I won't be able to watch, but I will be supporting Laura from back home.  If BB goes anything like she did Monday and most of the rest of the summer, she will put in a fantastic test!   It would be even more amazing if she made it to the Finals.  Please send positive thoughts her way!  I hope she has great rides at the championships.  In the mean time, look at het website so you can see what BB looks like.  It introduces the mules towards the bottom.  http://oakstarranch.com/
And here is a short video from February: Click here

Wednesday, September 9, 2015

Moxie Ride No. 2

For my second ride on Moxie, I mostly worked on slowing his trot to a leisurely jog, and on getting him to become round.  I also rode one-handed for the first time, which was a little difficult to get used to. To ride one-handed, I held the split reins in my left, with my middle finger between them.  My left fist pointed down and was almost close enough to touch Moxie' s withers.  My other hand stayed where it usually is, as if I was holding reins in that hand.  Mostly, I steered with my legs, neck rein. if necessary.

  To make him round, I lifted my hand, which applied pressure to the bit and caused Moxie to become lower his head and lift his back.  It was important to use leg as well, because simply pulling his head down does not create proper engagement.  The bit is just there to "catch" the roundness and to give him something to come round to.  Therefore, you need both leg and hand in the formula.  Once he became round, I lowered my hand until it almost touched his withers, giving him a release.


I also worked on collecting his pace to make it like a jog; I wanted his steps to be small, but with proper engagement.  To this, I made him round, jogged off, and worked on collecting his stride by squeezing my fist and sitting back slightly when his stride became faster and bigger than I desired.  It still needs some work, which I will do soon.

Thursday, August 20, 2015

Wait for the Sweet Spot

 Things have been a bit hectic lately, and Laura has been to several shows in the past month.  She has qualified for the California Dressage Regional/State Championships in Rancho Murrieta with BB Magee(one of her mules) for the freestyle event with a 76%  in one of the freestyles, which is phenomenal for a mule, and fantastic even for a horse!  This weekend they are at Starr Vaughn trying to qualify for the First Level event at the Championships.  It's really exciting that another of her mules, not just Dyna, is doing so well in dressage.  Mules rule!

  Anyways, in spite of not having ridden in a month, I had a lovely ride on Lucky.  I lunged her first to get her to become round, use her body, and respond to my aids.  Then I mounted, and began to do a similar thing in the dressage arena.  I asked her to come round in the walk, then began to the do they same in the trot.  Once I had her moving round and free in the walk and trot, responding to my aids, I began the exercises I would do that lesson.

 I worked on 10 meter circles for the first time, starting by going the to left at the walk on a 10 meter circle at B. To help me out, Laura marked where I should go with small cones.  At first, I had some difficulty with having enough bend in Lucky's body; she was too straight, particularly at the rail.  I also pulled too much on the inside rein without supporting with the outside rein.  The inside rein is only used for flexion, the inside leg is at the girth and pushes the horse to the outside rein, and the outside leg keeps the shoulders from popping out. Once I had Lucky moving roundly, I prepared to trot the circle.  Before the transition I squeezed Lucky with my calves to create energy, capturing it by squeezing the reins.  The goal here was to create upward energy, rather than forward energy, so it was important that I captured it and didn't let her trot off.  Only once I had Lucky round and moving with energy did I ask her to trot off.  I kept her round through the trot by squeezing the outside rein during the transition.  I continued on the 10 meter circle.

 After giving Lucky a break to let her stretch, I prepared for a new exercise that involved half 10 meter circles and tear drop shapes.  I started with a 10 meter circle to the left at B, as I had been doing.  Once my position was correct and I had Lucky round and flexed nicely, I went from X, the part of the circle that touched centerline, onto a diagonal to P.  I had to keep Lucky completely straight until just before P, where I changed the flexion(and my diagonal when I did the exercise at the trot).  I continued on until reaching E, where I made a 10 meter circle to the the right, and I made diagonal to the V when I was ready.  
A basic diagram of the exercise.  The parts along the rail are ridden both to the right and to the left, but the others only in the direction the arrow is pointing.

 I tried the exercise at the walk first, and then trotted it. At first, I had to circle several times before heading onto the diagonal so I could get Lucky round. Laura didn't want me to head onto the diagonal until both Lucky and I were ready.  There where a few times during the lesson when things fell apart(I leaned too much to the outside, and Lucky lost her roundness as a result, becoming rushed and on the forehand).  At these times, I returned to the walk to rebalance both myself and Lucky.  For the most part, however, I rode nicely.  I kept Lucky round through most of the walk-trot and the trot-walk transitions.

Next, I took a break from that exercise to canter.  Lately, I have been able to effectively keep Lucky round through transitions between the walk and the trot, which is a huge improvement from a few months ago.  In the canter, however, I toss myself forward and throw the contact all away, losing everything I had worked for in the few minutes before the transition.  During this lesson, I worked extra hard keeping the roundness.  The first few times went just as they always have.  For the rest of the times, I focused on having a beautiful, round transition.  I worked on getting Lucky to the "sweet spot" in the trot before asking for canter.  Put simply, the "sweet spot" is any moment when Lucky is balanced and round.  Once she was in this sweet spot, I asked for canter, squeezing the outside rein to keep her round.  Miraculously, I had a wonderful transition. Lucky stayed round through the transition, and for the next few strides after.  It felt amazing.  Once I got several nice transitions like that, I repeated the same exercise as earlier, except with the canter added.

The canter version.

 This time, I started on a 10 meter circle to the right at E since Lucky canters more easily to the left.  Once I found the sweet spot at the trot, which was pretty quickly, I head across the diagonal to V, staying in the sitting trot and preparing for canter.  Just before V, I changed the flexion and asked for canter.  Lucky bounded into canter, staying round.  It felt amazing.  I cantered to P, then returned to the trot.  Then I made a half 10 meter circle at B and prepared to canter at P.  Once more, Lucky bounded into the canter, making a lovely transition.  I made one more circle at E, cantered, then walked at P, paying special attention on keeping Lucky round.  It was a beautiful transition.  Of course, all these transitions didn't just happen–I had to ask carefully to keep Lucky there.

It was fabulous to have a step forward.  Previously, I have watched people ride in a balanced, rounded  canter and wished that I could ride like that. Having a taste of that was amazing.  I'm so happy to have progressed so much this past year.  In fact, a year ago, I could hardly get a horse.  I wonder where I will be a year from now.

Wednesday, June 24, 2015

First Real Trail Ride!

 I just went on my first ever trail ride! Although I ridden outside of the arena many times, this time was the first time that I left the property and ridden on a road. Because it was my first time, and Lucky's first time in a while, I rode in a western saddle so that I would be more secure. Safety is always most important!

 I lunged Lucky for a few minutes before I rode, like I always do. Then Laura and I rode around her property once before setting out on the road. We had to ride down the asphalt road a little ways before reaching the dirt road, but it is a small road and we didn't encounter any cars on the way to the dirt road.

 Throughout the ride, I mainly focused on getting Lucky to be forward and in front of my leg, something that is difficult for her. Before we even reached the dirt road, I began to fall behind. Laura waited for me this time, but for the rest of the ride I had to either stay beside Laura, or ahead of her. It was difficult. BB, who Laura was riding, has a very big, forward walk, while Lucky is just the opposite. I fell a little bit behind Laura quite a few times. Sometimes, when I asked Lucky to lengthen her stride to keep up with Laura, Lucky would shuffle forward in the jog instead. This is undesirable, because dressage horses shouldn't take short, shuffling strides. Laura told me that when trying to catch up, Lucky should take either large, marching walk strides or trot forward boldly, not jog. It was easier to keep up later on in the trail ride. Lucky enjoys being out on the trails, and began walking more forward. A few times throughout the ride, we trotted.
The beginning of the road

 I also worked on getting Lucky round by softly squeezing one of the reins to flex her, moving my hands toward the bit to give her a release whenever she became round. Periodically, Laura and I would allow our mounts to stretch. When we did this, we wouldn't just release the reins to full length. Instead, Laura told me to make sure Lucky was round first. Then, I would release the reins to the buckle, encouraging Lucky to stretch down. Though I can get a horse round for brief moments, I still can't keep them round for long. After a few strides of being round, Lucky would raise her head or get slightly behind the vertical. If Lucky got behind the bit, I added more leg. Adding more leg is usually the answer if anything goes wrong. Toward the end of the ride, I felt some of the moments when Lucky was about to come up, and flexed before she made that mistake.

 Though I was doing all this schooling throughout the ride, it was still exciting. I love being out of the arena, and so does Lucky. Being out of the arena is relaxing and fun, and there was always something exciting to look. We came across a herd of Haflingers and other horses in a pasture beside the road. There were even some ground squirrels and a rabbit. The trail that we took leads to the back part of Whiffletree Ranch, the ranch that the spring's driving show was at.

At one point, we came across a few barking dogs. Fortunately, Lucky didn't react to this at all. She is a very levelheaded horse, and in all the time I have ridden and worked with her, she hasn't once spooked. This makes her very reliable and safe on the trail, and I am very confident riding her on the trail.

 Not long after passing the dogs, we turned around. We didn't do much trotting on the way back. About halfway back, we stopped at the top of a ridge and beheld an amazing view of a large, golden, tree covered hill in the distance. We even saw a group of trees where Laura's house is and a teeny-looking mule in one of her fields. It was amazing how far away everything was, because it hadn't seemed like we had gone very far. It was a really exciting trail, and I can't wait to ride on the trail again.

Friday, June 19, 2015

Rhythm and Trail Etiquette

  I've been doing some of the usual work with Laura lately(tacking up and grooming mostly). Last week, I had a short but productive walk lesson on BB, her First Level mule. Laura wanted me to learn rhythm, and because BB has a big, rhythmic walk, she thought it would be best to learn on her. Before getting on, I had to count out the rhythm of BB's walk while Laura rode. I found it difficult to count out the beats of her footfalls, so Laura had me break it down. Each time BB's right front hit the ground, I said the word "tic." Once I found that rhythm, I began saying it twice as fast, counting the beat of both front legs.

 At last I mounted, riding without stirrups. BB's walk is quite different than Lucky's. BB has long, reaching strides, while Lucky usually takes slower, smaller strides. I entered the arena and began to say "tic" each time one of BB's shoulders came forward. Though I had to glance down at first, I could feel each stride once I started. As I rode, Laura had me play around with changing the length of BB's strides just by moving my hips. To open up her stride, I let me hips go more forward with each stride. To collect her, I blocked my hips and made smaller movements with them. It's pretty amazing how sensitive horses(and mules) are to slight changes in the rider's body.

 Another day, I rode Lucky around the property with Laura, who was riding BB. I learned about how to safely trail ride so that I could soon ride on the actual trail, a dirt road nearby Laura's ranch. As I rode, I attempted to keep just beside Laura, with my knee at her one, like riding a pas de deux. I had ask Lucky to speed up often, because she slowed down and began falling behind many times. We rode around the entire property, and even through one of the front pastures, which is currently empty. All this prepared me for my first real trail ride, which I will write about soon.

Thursday, April 30, 2015

Great Two-Point Lessons!

 These last two lessons, I have been working on improving my two point position since my goal is to be able to jump within a few months from now, providing my jumping position because solid enough that I can remained balanced at all gaits without leaning on Lucky's mouth. The lesson before last, practiced my two-point in both the trot and canter. I transitioned between two-point and posting at the trot, and two point and sitting at the canter.

 I still can't remain in correct balanced the whole time, but both I'm getting stronger, so I can stay out of the saddle without getting tired for much longer than I could in January.

 I worked on a lot of serpentines during my most recent lesson. Since serpentines have many changes of direction and bend, I really have to be prepared to change my inside leg as well as the flexion when I reach the part in the serpentine where the direction is changed. One of the problems I have is letting my inside hand drop, which does not help the horse to flex to the inside and come round. However, when I remember to lift my hand and have enough inside leg, Lucky flexes and comes round. Lucky is a really good teacher because she only does what her rider asks if it is asked correctly. When riding her I can know if I am asking for something incorrectly.

 I also did an exercise that helped both with my two point and my turning. I had to turn left up centerline, without pulling on the reins, and start my two point at the cone set up between S and R. The first few time I used too much hand, so I went back and started the turn again, this time with less hands and more legs.

 For most of the ride, I struggled to find my balance at the two-point, and when returning to the posting trot before C, I hastily made the transition rather than relaxing and taking my time to make a fluid, seamless transition. This resulted in an unbalanced transition, and it took several strides to recover.

 It was my last ride through the exercise, this time to the right, that really stuck out. This time through, I didn't rush and become unbalanced. Instead, I breathed and relaxed, determined to ride through it nicely. This time through, I had a great, balanced two-point, holding it and transitioning smoothly to the posting. It felt effortless, and was one of those moments when everything goes well and correctly. I'd say for sure that it was the best, standout moment of the ride.

Tuesday, April 28, 2015

Oak Star Ranch Mule and Donkey Derby

 Last weekend, from the 17th to 19th, was the Oak Star Ranch Mule and Donkey Derby, which Laura has been planning and preparing for these past few months. As the name suggests, it was a show specifically for mules and donkeys. Never before have I ever seen so many mules and donkeys in one place. There were at least 30 altogether, I think.

 The first day of the show was the gymkhana and packing day. There were several different classes, including a donkey class. There were various different events, including pole bending, single stake(the horse and rider go to the pole, turning around and heading back the starting line), speed ball(they go to a gone, drop a golf ball in it, and run back), speed barrels(similar to pole bending except three barrels set further apart than pole bending poles), and keyhole(riders have to enter a small circle marked by flour, turn around without crossing the line, and head back). All these events are timed, and the fastest pair wins. I was one of the timers for these events.

 They are really exciting to watch! There were two sisters that were really good, winning or placing in most of the gymkhanas. They literally galloped their mules through each event, finishing most in around ten seconds, at least five seconds faster than most, depending on the event. During the speed ball event, they didn't even to stop to drop the golf in the cone. They just slowed down enough to drop it in and not next to the cone. The donkey classes were hilarious! Donkeys are often stubborn and a little lazy, not wanting to work so hard. Many of them didn't go faster than the walk or a slow jog. It was funny!
None of the pictures turned out too well. Here are a couple dressage pictures.
The jumping one didn't turn out.


 In the late afternoon was the packing competition. Mules are often used for packing because they are smart and surefooted. In fact, the nearby Yosemite National Park has a pack station, which is where Laura worked and first became interested in mules. The object of the packing competition is to correctly tie the packs on the mule faster than anyone else. It was really interesting because I have never seen this before. In another of the packing competitions, the each competitors had to actually load their mule, tie the packs one, and mount their horse, leading the mule to then end of the arena and back. I timed these events too, and really enjoyed watching them.

 The next day was all the English events. There was dressage, followed by hunters and jumpers, ending with the flat classes(English pleasure and equitation). Some of the rides from the clinic were riding in the dressage classes. One of the mules I really like was Señor Grande, a 17 hand mule. He was really consistent in the contact, not once coming off the bit, and he had big movements because of his size.

 I also enjoyed watching the hunters and jumpers. There were so many hunter classes at different fence sizes, with the final hunter class of the day being a 2' 6" class. Some of those mules were really good jumpers and tucked their knees nicely over the fences. I helped fix the fences if needed and timed the jumper classes. The most exciting jumper class to watch was the Gambler's Choice class. In this event, the rider has to jump as many fences as possible within 45 seconds. Each jump is worth a certain amount of points, depending on the difficulty of the jump, and each jump can only be jumped twice. The time goes by quickly, but the riders found creative ways to jump as many fences as possible. It is a really exciting competition to watch!

 The final classes were hunter hack, English pleasure, and equitation. Even the donkeys has their own flat class. Sunday was all the western classes, but I did not get to watch those. It was a very busy yet exciting weekend!

Sunday, April 19, 2015

Dyna Does Dressage Documentary

I have exciting news! The story of Laura Hermanson and Dyna is being told by Sarah Crowe and Amy Enser in a documentary called Dyna Does Dressage. Their story is an incredible, inspiring one that needs to be told. Last year, at the U.S. Dressage Finals, Laura and Dyna made history. To think that a mule, which is normally thought of as a pack animal, beat many horses and competed against the best horses in the country at her level is incredible. It goes to show that nothing is impossible if you work hard and believe.


                 

The movie poster
 What is also awesome is that I know Laura, and I know Dyna. Furthermore, I met Sarah and Amy over the weekend. Take a few minutes to watch beautiful trailer and learn more about Laura. The video is touching, inspiring and moved me close to tears. Also check out the Go Fund Me page if you would like to support this documentary and this story that needs to be told. Check out the Facebook page for regular updates on how the filming is going. Finally, please share with your friends on social media


Laura Hermanson Dressage Clinic

 Before the western clinic, I rode in Laura's dressage clinic. This time, too, I rode Anna, and I was still getting used to her as I had only ridden her one time before that. Laura started by checking everyone's bridles to make sure the nosebands and flashes were correctly tightened. Then she talked about the proper way a horse(or mule) should flex. She always flexes her mules slightly to both the inside and then the outside before a transition. After everyone had tried this, Laura talked about roundness. When a horse or mule becomes round, it's back should come out and the neck should bend. Laura flexed every mules(and the one horse's) back by gently pressing on the haunches so that each rider could feel what it feels like when an equine becomes round.

The group. I am third from the left.
 Next, we worked on getting our equine's in a forward, steady rhythm. We did this by using poles. We started with walk poles. Heading around the arena, we rode in a free walk, but just before we had to shorten our reins and push our equine forward if needed. I had to push Anna forward several times, because I had trouble keeping her in front of my leg.

Getting Anna to stretch down at the walk(free walk).






 After doing it at the walk, everyone tried the exercise over trot poles. It was a sharp turn to get to the poles, so we had to make sure to keep the correct rhythm around the turn and over the poles. The first few time, I made it over the poles but not in a very good rhythm. The last time heading over the poles, I kicked Anna forward. This time, she really reached forward, keeping a good rhythm over the poles and on the straight line after it as well. Laura said that that was the rhythm I need to have all the time.
More free walking

Over the walk poles

During the break time, a saddle fitter taught about fitting both western and English saddles, particularly focusing on mules. Mules have straighter backs than horses, and their ribs start out narrow then widen out, so they are built much differently than horses. Consequently, saddles are much harder to fit. It is hard to fit English saddles made for Thoroughbreds, or western saddles made for stock horses. To fit English saddles, the fitter uses special half pads with three pockets on each side. She inserts foam pads into the pockets to adjust the saddles fit and fill in the empty spaces between the saddle and the horses back. Thus doesn't fix a too big saddle, but it helps a saddle to be custom fitted to a horse or mule. I don't think any saddle you would by online would fit perfectly without some minor adjusting. She also flocks saddles to help the fit as well.

Over the trot poles. Straight-arming though


 In the afternoon, we worked on pats of Dressage Training Level Test 3, the test ridden at Bishop Mule Days, the mule world show(look Mule Days up). We practiced a serpentine loop, which is a loop that goes from H to X to K. The judge looks for a change of bend in this loop. The first few times I didn't quite get to X, and I used to much outside rein rather than inside leg, but the last time I tried it I got a fairly nice bend.

 Connie then decided that I should rest Anna for the day because I Anna would have to work a lot over the weekend at the western clinic(1, 2).

Tuesday, April 14, 2015

Connie Lara Western Clinic, Part I

 Over this past weekend, I rode in a western clinic taught by Connie Lara, a friend of Laura's. Connie let me ride Annalissa, her bay six year old mule that is actually very horse-like. At the start of the clinic, I learned about riding a good warm-up. If you have a warm-up plan, you will be better prepared to ride, and you will be more prepared when warming up at a show. Connie has a list of several things she wants in her mule when warming up. She wants her mule to be responsive on a small circle, driving from the hind end with impulsion. She also wants to be able halt and reverse her mule, and to be able to control both the front end and the hind end. If she loses any of these, she goes back to the beginning.

 Everyone warmed up together, moving the hind end and the front end after circling. I had some difficulty moving the haunches at first, but once I relaxed I was able to do it. We next worked on circles, a very important aspect of riding because every pattern in riding consists of either straight lines or circles. The goal was for the mule or horse to have a nice bend and to be in the proper western frame, where the equine's head is low. She also wanted each rider to be looking two cones ahead(there were four evenly spaced cones on the circle). When it was my turn, I made sure to use enough inside leg to keep Anna bent on the circle. Connie thought I did a good job and commented that I made her mule look nice. Because I had done so well, she had me break the circle down into very small circles at each of the four points. I had no problem doing this either and made the circles.
Spiraling it in. Each layer of cones represents a circle. This is before the circle was made into the smaller version.

 Next, we worked on adjusting our mounts by spiraling circles in. There was a large circle marked by cones, with several smaller ones inside, the smallest being only several meters in length. I spiraled in and out of this, making a fill circle at each layer. Then Connie made the circles even smaller, with the innermost circle being just large enough to put a barrel standing up in the center. I didn't have much trouble with this either.
Heading around the box
Before the box was made smaller


 In yet another exercise, we had to enter a box made of four poles, circle a cone within it, then exit the box. I did it well the first time. Connie made the box even smaller, and I tried again. It was a tight squeeze, but I made the circle. However, I rushed getting of of the box, going out at a steep angle and heading over the pole rather than going in between the corners. The next time around, I focused more, making the turn and heading out nicely.
The cone exercise in which I circle around several cones. I go to the middle cone on the right after this and circle twice to the left.



 The final exercise of the morning was one in which we had circle around multiple cones set in a pattern. Basically there was a row of several pairs set at an angle, and we had to circle the top one in the pattern, head to one set at an angle to it, circle it twice and continue. To do it successfully, one had to go straight across and not right next to the cone that would be circled, making a wide turn around. I did well on the first two cones, but in two tight heading toward the third cone and couldn't finish the pattern. The second time, the same thing happened. The third time, however, I really focused and made nice turns around all of them.
Going between the tall poles
 After lunch, we worked on straight lines. The first exercise was a straight line between several pole-bending poles. It was very narrow, and I almost bumped my legs on the poles, but I kept Anna going straight. There were also several sets of parallel poles set in a straight line, with each of these chutes set in front of and a little off to the side of each other. The object was for each rider to use their legs to push their mule over into each chute. The first few times, I was weaving in between them rather than leg-yielding over. Then I tried to use more leg and was able to push Anna over when I wanted to. Next with did the same thing, except for with cones set close together(like pole bending). The object was to push the mule over, rather than pull them and weave around the cones. I did well for the first few cones, but then Anna rushed off and I couldn't use my legs to push her over. This happened a couple of times, so Connie got on Anna, and it turned out that it was something Anna was doing wrong, not me.
Moving sideways from the poles to between the cones
 When I remounted, I was prepared to ask Ann to stay at a nice slow jog. I went through the pattern nicely, and could even wind my way back. I later tried the same thing with even closer cones that had poles set between then. I tried the exercise at the walk first, doing it successfully, then jogged it. It went well! It's amazing how much better I was at using my legs to move Anna than I was when I started the clinic.

The figure-eight after the poles.

 The final exercises involved poles set in a step pattern. We had to do some circles over each of poles, starting at the top and working our way down, so circles got larger further through the exercise. That wasn't too hard after the small circles from earlier that day. next, the poles were moved into steeper angles. This time, we had to jog a diagonal across all the poles in one line, then turn left and go across the sharp angle made by two of the poles. After that, we would make a shape u-turn go across another angle made by two poles, the jog to two barrels and figure eight around them. This was challenging, but I could do it.

 It's amazing how much better my riding was by the end of the day. I was better and more refined at turning without relying completely on my hands. Laura thought I did a great job holding my own against adult riders who had been riding for much longer than I have. Stay tuned for part II, where I try reining. Also, another highlight of the clinic was meeting Olivia from DIY Horse Ownership. It's always fun to meet a fellow blogger!

Friday, March 20, 2015

Trot Poles and Show This Weekend

Monday was a very busy day, with preparations for the coming show and donkey clinic underway. Laura and I spent most of the day deconstructing the dressage arena and moving the metal corral fences that aren't being used. A tractor came Wednesday to level the ground, and then we will set up 12X12 and 16X16 stalls with the fences with mules going to the show to stay in. t was a lot of hard work, but I didn't mind it. 

 Tuesday was more of the same thing, but since we had finished most of it the day before, we had time to ride. I worked on riding through a line of trot poles to work on rhythm. The two pairs of cones were there, like last time. I rode in a four leaf clover pattern, trotting over the poles, then going to the outside of either of the cones, make a rollback to go between them, and repeating the pattern. This is also a good exercise to prepare for jumping. When turning around the cone, I need to: 
Make a wide enough
Find a good, straight line to the poles
Keep Lucky moving with enough  impulsion and reaching underneath herself her hind legs
Prepare to make the next turn around the cone

As you can see, a big part of jumping(or going over trot poles in my case) is the preparation before the jump. Starting out, I did not prepare for the turn around the cones in time, my turn wasn't wide enough, and Lucky wasn't moving with enough impulsion and reaching underneath herself with her hind legs. I had to start over several times. After a few times, I began to really focused on preparing and lining Lucky up for the turn. As early as when I was heading over the poles, I looked for the cone I would circled and prepared to go there. 

 I also had trouble making a wide enough turn around the cones, especially to the right, Lucky's hard side. Each time, I started out wide, but made a sharp turn right after the cone. I had to really work on using my inside leg to push Lucky out onto a wider circle. It wasn't until near the end that I managed to get a nice, wide turn to the right.

 What I really had trouble with, though, was getting Lucky to take long enough strides to get over the poles. I have been working a lot on asking Lucky to move forward with light cues. When she didn't respond, I would kick her. I didn't get enough of a response. Since I wasn't getting her to open her stride more, her hind leg didn't quite reach over the second pole, and as a result, she stumbled over it. 


 It wasn't until the end of the lesson that I achieved a nice, rhythmic trot over the poles. Approaching the poles, I squeezed Lucky with my calves to get her get her moving forward. When she didn't respond, I gave her a tap with the whip I had been handed. She responded by lengthening her stride and trotting beautifully over the poles. I headed to the right cone, applying inside leg and flexion to make a nice, wide turn. I made sure to have enough calf on to keep her forward motion. 

 The driving show is this weekend. I can't wait!

Sunday, March 15, 2015

Two-Point Practice and a Hack

 Thursday was another fun day. Laura taught a lesson to a woman with a gorgeous buckskin Quarter horse named Keystone, so I helped her set up some ground poles for that and also tacked up BB for her to ride and demonstrate if needed. While Laura was teaching, I rode Lucky on my own around the property like I had done last time.

 While riding, I worked mostly on my two pint position. Every time I was riding over flat or uphill ground, I rose into my two-point. I was able to hold it for quite a while and didn't have to sit back down until I reached a downhill slope. Laura was teaching in arena next to the dressage one, so when I rode through it and stood up into my two point, she watched. She said my position looked good! I just needed to bend my elbows and lean more forward, but it was otherwise balanced. I fixed that and held my position through the arena, turning right to pass the round pen and up the steep hill by it. 

Sacrum float on Dyna
 I continued riding until after Laura was done with the lesson and was riding with the woman she had taught out of the arena. Since Laura and Keystone's owner are working on getting him more relaxed, I went to the arena to canter while they trail rode.  I cantered Lucky to the left around the arena, then left the arena and rode around the property one more time. I cantered a bit more, then began cooling Lucky out.
What went well:
  • My two-point position was really good and correct
  • I'm gaining more riding muscles to hold my position longer
 Loni, an friend of Laura's who is and equine bodyworker, was also there, working on the mules to relieve tension in the body. Something that she showed me how to done was the sacrum float. By putting her hand under the tail, right below where it connects to the body, and just barely moving it up and down, she relieved tension in the sacrum. It was really interesting to watch!

Thursday, March 12, 2015

A Fun Trail Ride

 Tuesday, rather than riding in the arena, Laura and I hacked/trail rode together on her property. Where I live, there are lots of hills, making it perfect for conditioning Lucky. It also made it perfect for me to practice changing my position depending on whether the ground was level, downhill, or uphill. In a way I was practicing cross country without the jumps. Laura believes that hacking or riding outside of the arenas beneficially for the horse. It makes their work more interesting, helps them to gain muscles, and can help a slower or less forward horse become more energetic from the excitement of being outside of the arena. The hills also help them to leaner to step underneath themselves. Horses only ridden on the flat have trouble climbing up and down hills for the first time because they need to gain the proper muscles and lean how to place their feet.
The field. In the middle of the picture is the path we cantered up, and to the left ,
by the small building is another field.

 We went all over the property, up and down hills, then around and up a hill with a path that led to the aisle between the paddocks. We turned left here, went through the dressage arena, then around and back past the paddocks and around the property again. The whole time I worked on helping Lucky to balance up and down the hills by leaning slightly back and putting my weight into my heels. Going up hills, I closed my hip angle, leaning slightly forward.

 At first Lucky was a slow and I had trouble staying beside Laura, who was riding BB, so I worked on getting her up to speed. After riding around at the walk several laps, we trotted up one of the hills. At this point, it became clear that Lucky was really enjoying herself. She felt balanced, her back swinging underneath me, and it seemed as if I could post so easily. I was slamming down into the saddle; her movement was pushing me up and then I lightly sat down. It felt so amazing.

 We continued riding, trotting up the hills and walking down. At first we had let Lucky and BB stretch and walk at the dressage arena, but after a bit we trotted through it instead, and I rode in a two-point position until we reached the top of a particularly steep hill, when we returned to trot. As we rode, I worked on getting Lucky round. She came round quite a few times throughout the ride.

 After trotting and walking the hills for a while, we cantered up the hill that led to the paddocks and barn.  On the flat section preceding it, we trotted then asked for canter. Lucky cantered off right away; I just made a kissing sound and listened. It was really exciting and fun to canter her out in the open. We cantered up the hill twice. Both times I lost my stirrup because I wasn't stretching my legs down, something I need to work on at the canter. By the time we had reached the top hill and stopped, Lucky was shaking with excitement and adrenaline.

I spent a while cooling her out on a long rein and riding on my own around the property while Laura schooled BB in the dressage ring. Laura had done the harder work outside of the arena so that BB saw the arena as a relaxing place.
What went well:

  • What was really amazing was that I had a light bulb moment when everything went smoothly. Lucky was round and balanced, and as a result I was posting more lightly too. It was really an amazing feeling. 
I really enjoyed hacking out in the open. While I have ridden outside the arena before, around the barns at both Silver Rose and Third Day, this is my first real time riding in the open. I love it!

Wednesday, March 4, 2015

I Rode a Mule!

 Tuesday at Laura's, I helped with getting thins ready for spring and the coming show season. Come spring, things will be a lot more busy, with Laura rising as many as five horses/mules per day, so i will help a lot with warming up by lungeing and cooling off by riding.

 Also, I am able to get Dyna to come to me more quickly without much difficulty. When she was close to me, I rewarded her by petting her, letting her know that it feels good to be by me. Laura doesn't reward everything with treats, but because Dyna doesn't get pushy about it, and since it would help her learn more quickly that being with me feels good, she let me use some. She wanted me to encourage Dyna to come even closer. I asked her to come the way I had before, then showed Dyna a treat. Dyna was a bit cautious(remember it takes her a while to get used to strangers), but I got her to take several steps into me space. She was close enough I could touch her if I reached my arm out. The next day, she came a bit closer. We are certainly making progress on getting to know and trust each other.
The cute BB.

 Wednesday, I rode a mule for the first time! I rode Laura's 1st Level mule, a mare named BB! Since BB has a forward, rhythmic walk, where her body swings, Laura let me ride BB to feel what that felt like. I rode her on a loose rein, at the walk. This was also a great time to work on my equitation because I didn't need to worry about getting a forward, balanced walk. I was also riding without stirrups. I focused on getting my leg long, my body tall, my elbows bent, and hands close together. I also let my hips move with the rhythm, counting one-two as her forelegs went forward.
Cone exerciseI can go left or right after the pole.

 To work on turning with my body, I worked on riding straight over a pole, then between two cones set a distance away, turning my shoulders to get BB to turn and applying outside leg. After heading around the cone, I rode along the side of the arena. When reach the cones where I had started at, I turned around then to head over the pole again. I switched up the direction I went after the pole to change things up.

 It took some practice to get smooth. For example, I needed to think more about preparing before the turn to get it smooth, but at the end of the ride I got a nice turn. It was so fun to ride BB, the first mule I have ever ridden.
What went well:

  • I improved at turning using my body, not relying on my hands
I aslo lunged Lucky, again focusing on keeping her bent to the inside. Laura worked with her a bit too, trying to get Lucky to relax and stretch her neck. When Lucky did it well a few times, Laura ended on that good note.

Saturday, February 28, 2015

Getting to Know Dyna

 I went to Laura's both Thursday and Friday. To begin both days, I cleaned Dyna's stall. Dyna is one of those equines that takes time to trust people, so by being around her in her space for a little bit each day, I can slowly build her trust. Then when I handle her we can both be conformable around each other and she will trust and have confidence in me.  When I first entered her paddock, I focused on getting her attention on me and drawing her toward me as I do when lungeing. I got her attention by tapping my leg and clucking. It took me a few minutes to get her to come to me. I had to walk toward her hips, cluck, wait until she looked, then took a small step back. Dyna then took a few steps toward me and focused on me. When she did, I approached her, petting her and letting her know that it feels good to be with me.  I then went on to clean the paddock. Friday, Dyna actually came up to me without me asking her when I was in the middle of cleaning. She waited beside me for a few minutes.

 Thursday, I lunged Lucky on my own, without Laura watching until the end. I'm getting better at asking Lucky to do what I want using small cues. I focused on controlling my breathing, too, to get Lucky to relax and breathe.  Laura recommended I do this, and I used a technique in the book Centered Riding. Sometimes, by unconsciously holding our breathes or not breathing deeply, we can make the horse do the same and become tense. When Laura came, she told me to turn Lucky's head to the inside by squeezing the lunge line and pointing at Lucky's side with the whip to get her bend. Laura demonstrated this, and then I tried. I kept Lucky on a small circle at the walk, squeezing and releasing when needed. When Lucky was bending really nicely, Laura decided I should finish there. It's always good to end when the horse is going nicely.

Thursday, we also began preparing for a donkey clinic that Laura will be hosting at the end of March. It's going to be a fun day,  and I am looking forward to it! I will mention more as it draws near.

 Friday, Lucky was at the other end of her pasture, which is pretty big, and didn't want to come all the way up to me when I shook a bucket of grain, stopping when she was about maybe 20 to 30 yards away. Laura decided to let me try on my to catch her so that I can learn. I decided to try what I did with Dyna, taking a few steps toward Lucky and making a sound by clucking and clapping my leg. I waited a few moments. Lucky stared at me, her ear perked, so I took a step back. She then began approaching me. It's really neat how everything I am learning with Laura fits together and helps with all aspects of horsemanship, not just riding.